Sometimes a popular stage musical is made into a hit movie, as in the case of Grease and The Sound of Music. Sometimes a movie has been turned into a hit stage show. This is the case with King Kong who has been brought to life on stage in a spectacular new stage musical. In fact, it is more than just a stage show, it is a theatrical event.
The multi-million dollar stage production of King Kong had its world premiere in Melbourne in June 2013. Each week there are 3 matinee and 5 evening performances that bring the legend of King Kong to life on stage in the resplendent Regent Theatre. It is interesting to note that this historical theatre started its life in 1929 as a grand picture palace. This makes the Regent Theatre the appropriate venue to stage King Kong, considering King Kong's origin as a movie.
King Kong |
Esther Hannaford playes as Ann Darrow, Chris Ryan as Jack Driscoll, and Adam Lyon as Carl Denham. These are great people for their roles, who create the life of their particular character particularly well.
However the major star of the show is not a person, but King Kong. King Kong is a huge creation - is more than 6 meters high, weighs 1.1 tonne, has 300 metres of electrical wiring that is controlled by a team of live puppeteers and an elaborate animatronic set-up.
Global Premiere |
I felt that in some ways King Kong showed more emotions in his facial, body and hand movements than the live actors did. Even though King Kong was a monstrous huge puppet, he had more life-like qualities than some of the actors. There is an empathy that built up with King Kong and the situation he is in. This is a credit due to the skills of his makers and operators.
The songs in King Kong were a mixture of modernised musical standards such as I Wanna Be Loved By You, Brother Can You Spare A Dime, and Get Happy. Other songs were new compositions by people such as Guy Garvey, Sarah McLachlan, The Avalanches, 3D, and Marius de Vries. Sing songs were jazzy and toe-tapping, while others were subdued and thoughtful that fitted in with the particular scene.
The dancing is slick and polished, a credit to the all dancers who give there all during the dance sequences.
Ann Darrow & King Kong |
I am the odd one out in a theatrical family. My wife plays in a band and orchestra, one daughter is a singing teacher, our other daughter is a dancing teacher, and our son is in his second year of a Bachelor of Arts, Design for Theatre & Television (Sound and Lighting Design) at Charles Sturt University in Wagga Wagga. I am the seated theatre appreciator. My wife would have loved to see King King for its stirring music, my daughter for the powerful singing, my other daughter for the energetic dancing, and my son for the amazing lighting and sound effects. If we only lived in Melbourne rather than in four scattered cities around NSW I would gladly take them all to see King Kong, as I know they would appreciate the mastery of their particular skill interest in this wonderful production. I appreciated all the components that made King Kong the music theatre event it is.
Jack Driscoll, Ann Darrow & Carl Denham, |
The Melbourne production of King Kong will be its only Australian showing before it moves on to other countries. I strongly suggest that if you have not already seen King Kong that you book your seats now before the production run finishes at the end of December. You will be glad that you have seen this amazing dazzling theatre event.
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